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My solo exhibition Color Coded opened recently at Washington and Jefferson College’s Olin Art Gallery, marking the first time that the entire Color Coded series (2005-2012) has been exhibited in the same venue. The most fun part of this show, besides getting nearly a decade’s worth of anatomically-inspired artwork under one roof, was creating a large scale graphite wall drawing specifically for the gallery. Drawing directly on the wall definitely added a fresh new dimension to the overall exhibit, and the monochromatic quality of the graphite was a nice contrast to the layered, multicolored qualities of the works in this series. Color Coded is on display from October 30-December 6, 2015.

Here are two recently completed cast iron school desk sculptures, from the 39 & Holding series. To create these sculptures, I first placed sunflowers on the desk tops, and then resin bonded sand molds were packed around these forms. After the molds hardened, the desks & sunflowers were removed and the pieces were cast as open-faced molds. The first piece in this series collapsed during casting, but its irregular form was incredibly intriguing, so I decided to work with the casting in this raw state. After being cast, these pieces were heated & finished with a brass brush & paste wax, which gave them a rich, lustrous finish.

The title of this series references the classic Jerry Lee Lewis song “39 & Holding,” a tune about the inevitable cycles of aging which became considerably more relevant in the past couple of years as I transitioned out of my thirties. I decided to carve thirty-nine hash marks into each of the molds, creating a deep, gestural tally to signify the passage of time. Sunflowers have long been featured in both art and religion as symbolic markers of growth and decay, and they were a prominent fixture in the rural landscape where I grew up, so I had a range of conceptual, art historical, and auto-biographical reasons for using these flowers as imagery.